Next on May 28, most New Yorkean of the fashionistas should make its great return in the dark rooms. Inspiring Carrie Bradshaw – alias Sarah Jessica Parker – indeed takes again service at the time of the second opus of Sex and the City. Remain to be seen if, after the passage of the economic crisis, the wardrobe of the journalist will as well be furnished as in the past…
The kickoff of the turning of Sex and the City 2 having been given, us here ready to launch us to hunting to the photographs – wrongfully – flights of this last, in order to decipher the stylistic mood of our heroin at the time of its new adventures. Its behaviours should indeed give us a good outline of the current ideal dressingroom, provided that Patricia Field and Sarah Jessica Parker manage to agree on the budget dedicated to the compulsifs purchases of our dear Carrie…
It should be said that since first Sex and the City – true plea for the industry of the luxury – the world was shaken by an economic crisis of the more traumatisantes. It was thus a question of knowing if the dressingroom of the fringantes will quadras were also going to have to him to tighten the belt…
However, accustomed to the spectaculars of the type “the Devil gets dressed in Prada”, Patricia Field did not seem not decided to give up its desires of Dior, Chanel, Westwood or Proenza Schouler under pretext that the purchasing power of modeuse the lambda drastiquement decreased. On her side, Sarah Jessica Parker declared in an interview that she would have liked that Carrie passes from the statute of fashionista to that of recessionista…
Who of the star or the designer finally managed to convince the production? Only the indiscretions of turning – and final the cut – us will bring the answer. This said, one suspects that some is the angle adopted by Field, the looks of the dream TEAM New Yorkean will be once more highly desirable…
Nevertheless, it would seem to us interesting that Patricia Field manages – with blows of DIY and parts low cost – to conceive highly stylées behaviours not having anything to envy a Dior panoply. Moreover, if she balks for the form, the thing is not less completely with its range: it should not indeed be forgotten that at the commencement of the series, one of the keys of the success of declads of Carrie was precisely to mix clothing cheaps and parts creators.
Always it is that the first stereotypes of film show us Bradshaw luminous, which apparently gave up neither its bag Chanel yet, nor in its Louboutins. Unless it is only one last last-ditch struggle before the beginning of the budgetary restrictions? To follow…
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